Using studio microphones for live sound is not new. DPA Microphones d:facto II is a new line of studio microphones repurposed as live sound microphones. DPA’s d:facto II vocal supercardiod microphone is given a full workout by Matt Vanacoro in this review. Review Of The DPA d:facto II Microphone System In this video James, with a little help from singer Rose O'Connell and band The Talent try out the new d:facto II microphone system from DPA . Review DPA Microphones d:facto II Take the "What Is Good For Me" Test to find out if it is a Good Match for you and join a Community of Musicians and Fans who love the same Music and Gear that you do! Buy DPA Microphones d:facto II Interview Microphone with DPA Handle (Matte Black) featuring For Broadcast TV, ENG and Interviews, Omnidirectional Polar Pattern, 20 Hz to 20 kHz Frequency Response, Built-In Three-Stage Pop Protection Grid, Built-In Internal Shock Mount. People who like DPA D:Facto II SE5 shared their Music Taste, Photos, Videos, Reviews and more. The first model is the d:facto II Vocal Microphone. The d:facto II is a good half-a-pop-filter-grille longer than the 58 and slightly heavier. But expecting them to universally connect to live mixers, work well with “iffy” phantom powering and interface wireless systems easily on-site is quite another thing. What are the benefits in being able to take a studio quality condenser mic and convert it to be able to run with a professional wireless system. DPA d:facto II Supercardioid Vocal Microphone TECHNOLOGY REVIEW “The result is a system with excellent technical specifications, whilst remaining integral to a sense of clever, but very musically orientated design.” Ben Burns THE REVIEWER BEN BURNS is a live and studio engineer with credits including Mystery Jets, Darren Hayes and Grace Jones DPA quote a nominal 20Hz-20kHz frequency range for the capsule, but interestingly provide a more qualified 100Hz-16khz (±2dB), with a 3dB soft boost at 12kHz and a third-order low-cut filter at 80Hz. With so much focus on studio condensers and specialized microphones, many modern studio engineers and producers can forget to have a decent handheld microphone for musicians to use live and capture stellar live performances. The one in the D:Facto II has a supercardioid response to help reject background noise and reduce the chance of feedback on stage.
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