will phantom power damage sm7b

I was reading online that if you use phantom power on a specific type of mic then it can be really bad for it. Cloudlifter? Whether you plan to record solo vocalists or for your personal podcast project, the Shure SM7B will serve you well. But, certainly, whichever of these you choose will get the job done. The OT does not provide phantom power, so the Cloudlifter will not be powered unless you run SM7b to the Cloudlifter to a mixer with phantom power to the Octatrack. I would then blend the sound of both to get the best tone. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is, Please help the original poster by using the. The SM7B does not require phantom power and is not affected if phantom power is present on its mixer input. The Launcher by Soyuz is a 26dB in-line active preamplifier designed to offer the old-school sound of a vintage console, complete with a custom, hand-wound transformer. Will Phantom Power damage a SM57 ? There’s basically no chance that you could damage a dynamic mic with phantom power, but also the phantom isn’t going passed your cloud lifter anyways. I thought it wasn’t a condenser? He has hosted recording forums since 1998, both on the internet (3dB) and Facebook (3D/FB). This is how the overblown rumor that phantom power and ribbon mics are incompatible got started. The cylindrical SM7B is more versatile than the 55SH Series II due to its integrated frequency response settings. Press question mark to learn the rest of the keyboard shortcuts. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. The Scarlett 2i2 is ideal for … After adding these 3 things to my audio chain, I have noticed a huge improvement in quality from my Shure SM7B Setup!. Won't hurt anything plugged in directly either...the mic doesn't care if the phantom is on or not. in your case no but make sure not to use 48v with a ribbon mic. There is very specific situation where phantom power can harm a ribbon mic and most smaller studios don't have that type of configuration. No need if the OP has a mixer with mic preamps. So, I gathered them all in the studio along with a classic radio/podcaster mic, the Shure SM7B, and had our own Mitch Gallagher read into each so we could listen and compare them. The iPhone, for example, supplies 1.5v, as far as I can tell. When using a ribbon mic (or low-output dynamic mics, such as the Shure SM7B or Electro-Voice RE20) and needing to add 60dB or more of gain, the level of noise coming from the preamp’s electronics was unacceptably high. The most compact of the units we auditioned, it’s built into an XLR-sized barrel connector and provides 28dB of neutral Class A amplification. I once joked with someone about using the phantom power switch on the interface as a "mic on/off" button and they said that it could damage the microphone. Effective on-board frequency response filters As a leading manufacturer of ribbon microphones, Royer knows about low-output microphones; so they designed the dBooster to work well with both ribbon and dynamic mics. Two toggles allow you to select one of three responses, depending on what the situation calls for (e.g. The reason is that modern dynamic microphones are designed to accept phantom power without issues, but we advise checking your manual or consulting with the manufacturer first before connecting; particularly if you have a ribbon microphone. When testing the microphone, the use of an external pop filter felt redundant. Mids and treble are ever so slightly amplified with presence boost mode compared to the bass boost, but one thing is for sure: they sound distinctly different from the previously mentioned flat response. But it sounds like the OP already has a mixer, so no cloudlifter or other pre needed at all. Mitch and I went into Sweetwater Studio B and set up just like many podcasters do: in a small room with a laptop and a mic. Phantom power is used to turn on any condenser microphone such as small pencil condenser mics, and large diaphragm vocal microphones. Modern passive ribbon mics should be immune to phantom power, as long as there's not a short circuit such as can happen when hot-patching. Thank you to the following Sweetwater Staff for their assistance in setting up these tests: Shawn Dealey, Rachel Leonard, Dave Martin, and interns Jason Peets and Rachel Hachem. Ok, this quick comparison is for kicks as the price disparity between the two models makes it unfair to legitimately compare them. Offering Thank you for your attention, and I look forward to your response. Here’s what Mitch sounds like on an SM7B going through each booster into the Focusrite 2i2 USB interface. This arrangement essentially short-circuits the phantom power supply and can cause damaging currents to flow through the transformer, potentially magnetising it or even burning it out (although that is extremely unlikely). i figured everything was kosher, just wanted to be shure. Neither mic requires external phantom power and off-axis rejection is effective on both, with it being slightly better on the SM7B. For studio use, however, the Shure SM7B wins hands-down. The Shure SM7B lets you take control of your projects before you even hit record. The Ribbon and XLR Pins is all very relevant, but surely that is the most obvious thing. Since these are commonly used with portable recorders that offer less preamp gain, I reached for the Zoom H6 portable recorder with 46dB max gain. That made me wonder if things like phones supply phantom power via their 3.5mm TRRS jacks. While raw recording quality is certainly better with the larger SM7B, the MV7 doesn’t disappoint. The uniform frequency response is excellent for all ranges of recording, and the alternative responses are fitting for other studio needs. Yeah, it looks like a phantom powered mic pre? bass rolloff, flat, presence boost). 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 The iPhone, for example, supplies 1.5v, as far as I can tell. However, the Elvis microphone, as it’s so affectionately referred to, is a better live performance companion for someone without the budget for separate studio and gig mics. This audio snippet was recorded from my makeshift kitchen island desk with the dryer running just a few meters away. When you buy products through links across our site, we may earn an affiliate commission. Not a problem. Excellent vocal reproduction Lynn Fuston spent 37 years behind recording consoles in dozens of studios in Nashville, as well as doing remote recordings around the globe. It will save your ribbon mics and I've always been under the understanding that you don't want to hot-swap w/ condensers, either. This isn’t a mic for those making their first foray into recording, rather it’s for aspiring professionals and industry veterans. And there’s also a three-position Load setting that tailors the input impedance to best match your mic. it will damage it. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Its compact design makes it much more portable, and more streaming-friendly than the Shure SM7B. I recently got a scarlett 2i4, sm7b, and cloud lifter. The Shure SM7B doesn’t require phantom power, but you may want to consider it if you have an aversion to maxing out the gain on your mixer. your mic will BURN if left on for more than 10 secstutt...Kidding, it wont hurt a dynamic mic, i hear ribbon mics can be destroyed with phantom power on... Hi up the geekslutz forum to get more details about why it doesn't affect the mic.

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